![]() But by the time the duo gets to the shoe-obsessed Jerry Brudos (Happy Anderson) in episode 7, these looks - at least Holden’s - play like implicit “I told you so”s. In earlier episodes, these looks start out as silent questions, concerns. The duo throws each other knowing glances when they seem to be making headway. But as the season wears on, the way these interview scenes are edited and shot tells a different story.īy episode 4, a key component to the interviews are the reaction shots of Holden and Tench. In his interviews with Ed Kemper (Cameron Britton) and other serial killers, Holden begins from a place of timidness he’s often eclipsed by these larger-than-life killers, and often at a loss. Over the course of the season, as he builds his criminal database alongside the FBI’s Bill Tench (Holt McCallany) and consultant Wendy Carr (Anna Torv), he’s driven as much by acquiring knowledge as he is by the need to show it off. This “I don’t know” is embarrassing for Holden, a man who speaks with the disposition of an academic (even his party stories sound like dissertations) and sermonizes from an egotistical pulpit. In the second episode, after an older officer requests his help with a particularly violent murder, Holden utters the three magic words that go on to define his trajectory: “I don’t know.” By the end of the opening scene, the perp has killed himself and has left Holden slack-jawed. The fast-talking, seemingly quick-thinking negotiator can’t seem to keep up with the situation (which grows increasingly complex, as the perpetrator claims to be invisible and begins stripping naked). The first season of Mindhunter begins with Holden directing police traffic at a hostage showdown. In academic terms, Holden Ford sucks at his job. Set in the late ’70s and early ’80s, the show chronicles the real-world establishment of the very language upon which popular successors like Criminal Minds and The Silence of the Lambs would eventually be based - with one key difference. On the surface, Holden and Mindhunter fit neatly into the “insufferable genius” genre of male-centric genre storytelling (Sherlock Holmes and his various descendants Numb3rs, House, Good Will Hunting, etc.), and, given the premise, the series acts as a retroactive predecessor to the modern procedural. The show’s protagonist Holden Ford (Jonathan Groff), based loosely on Douglas, is the linchpin for the series’ machinations on criminal psychology. The disparity between the two seasons, while tonally chasmic, is where the series lives and breathes as a singular text about the men who take center stage in crime fiction. Douglas and coauthor Mark Olshaker), the new installment of David Fincher’s Netflix series uses “criminal profiling” concepts studied in season 1 and applies them to then-ongoing cases - the Atlanta Child Murders, the BTK Killer - resulting in rip-roaring intensity. Based on the book Mindhunter: Inside the FBI’s Elite Serial Crime Unit (by former FBI agent John E. The second season of Mindhunter arrived August 16, following up its contained, interview-format predecessor with high-stakes thrills.
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